The real issue is that the authorial narrator has no place in journalism. In German studies, the term refers to the omniscient narrator. a story from the outside or from above, knows everything and passes this knowledge on to the reader in full or in part. In fiction, this is a permissible perspective.
Because he knows everything, he is philippines rcs data the master of the story, knows what his characters are like, what motives drive them, what mistakes they make. It is not uncommon for the authorial narrator to ally himself with the reader and look down arrogantly on the limited, even stupid protagonists of the plot. And above all, the authorial narrator knows where it will all end and what needs to be done to make sure it ends well.
This is precisely the attitude that reportage journalism has adopted more and more persistently over the last 30 years, although it has no place here. But if the costs of a report are raised in journalism that is trying to save itself to death, then it must be clear from the outset what the outcome of the expedition into reality will be.